Patricia Dauder trained as an artist in Barcelona and Holland in the 1990s. Since then, her practice has evolved coherently in the fields of drawing, sculpture, film and the artist’s book and, to a lesser extent, photography. Her pieces are the result of slow and intuitive working processes, in which formal exploration guided by intuition and chance plays a significant part. The concept of montage is also of central importance to Dauder: her pieces often end up adopting a composite form, as sets of several elements that are closely related to one another.
Although many of Dauder’s works have as their starting point the observation of her real immediate physical environment, it often happens that, in the course of the creative process, the figurative often retreats almost to the point of disappearing, becoming a mere trace or a barely perceptible trail. And, in her practice, the idea of “trace” is linked to depth, a recurring element that Dauder explores through methods such as layering, surface scraping and the emptying out of volumes. Similarly, in her film works and in her books, the temporal dimension marked by the rhythm of contemplation which these formats demand becomes an element of exploration, through which Dauder effectively expands the meaning potential of her pieces.